![]() Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.) Filing date Publication date Application filed by Individual filed Critical Individual Priority to CN2010101814189A priority Critical patent/CN102243532A/en Publication of CN102243532A publication Critical patent/CN102243532A/en Status Pending legal-status Critical Current Links Original Assignee Individual Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.) Inventor 梁传仁 Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.) Pending Application number CN2010101814189A Other languages Chinese ( zh) ![]() Google Patents CN102243532A - Chinese input method for code with identical font and similar meaning It's extremely subtle, and the only thing it does is give you a sense of an enfolding space.CN102243532A - Chinese input method for code with identical font and similar meaning We'd be mixing them together and cross-fading them, so as to get partly the sound of the band and partly the sound of the hall reverberating. Then we'd do things, like, in mastering we had the 8-track and the 4-track playing simultaneously. It’s pretty much like being there.” -Jerry Garcia, circa 1981 “When we recorded some of those, we recorded them using an 8-track machine for the band and a 4-track machine for the room, so that we had four tracks of the room - various parts of the perspective of the room, you know, like, one corner of it over here, one corner of it here, one in the middle, done at lots of different places, some at the Carousel, some on tours that we were on. It’s actually superimposed, the best of both worlds: the close mic sound of being right on stage, and the thing of being in the room and what the room does to the music - those things superimposed on each other in various relationships. ![]() “ is a remarkable process that gives a three-dimensionality that is uncanny. The series is produced and mixed by Jubal Hunter Seamons and includes CD cover artwork for each volume/show. Hunter’s Trix is an ongoing Grateful Dead matrix series, combining soundboard and audience recordings of live shows.
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